Header Photo: Rekha and Sunil Dutt in Pran Jaye Par Vachan Na Jaye.
Deleted Songs: Chain Se Humko Kabhi
Chain se humko kabhie - YouTube
Chain se humko kabhie - YouTube
https://www.youtube.com/watch?v=Yc1MfFxpYEI
Lyrics
chain se hamko kabhee, aapne jine naa diya
jahar bhee chaAha agar pina toh pine naa diya
chaand ke rath me raat kee dulhan jab jab aayegee
yaad hamaaree aap ke dil ko tadapa jaayegee… More
jahar bhee chaAha agar pina toh pine naa diya
chaand ke rath me raat kee dulhan jab jab aayegee
yaad hamaaree aap ke dil ko tadapa jaayegee… More
Released: 1973
By the time the song Chain Se Humko Kabhi was recorded
sometime in 1972, it was apparent the Asha Bhosle-OP Nayyar combo was
moving away from each other, both professionally and personally. The
song was composed by OP Nayyar, written by SH Bihari and sung by Asha
Bhosle for the Sunil Dutt-Rekha dacoit drama Pran Jaye Par Vachan Na Jaye (1974), directed by Ali Raza . It
is said to be the last song recorded by the singer-composer twosome
bringing to an end one of the most brilliant combos ever in Hindi
cinema. Along with SD Burman, it was OP Nayyar who was instrumental in
Asha Bhosle’s phenomenal rise to the top from 1957 onward.
The Bhosle-Nayyar composed musical history through films like Tumsa Nahin Dekha (1957), Naya Daur (1957), Sone Ki Chidiya (1958), Howrah Bridge (1958), Ragini (1958), Phagun (1958), Kalpana (1960), Jaali Note (1960), Basant (1960), Ek Musafir Ek Hasina (1962), Phir Wohi Dil Laya Hoon (1963), Kashmir Ki Kali (1964), Mere Sanam (1965), Sawan Ki Ghata (1966), CID 909 (1967), Humsaya (1968), Kismet (1968)
and many, many others. Thanks mostly to Nayyar, and to a certain extent
SD Burman and Ravi, Bhosle became second to none among female playback
singers in the country, barring elder sister, Lata Mangeshkar.
And it must be noted here that Nayyar, who shaped Bhosle into his leading female singer, is the one prominent composer, who did not record even a single song with Mangeshkar!
According to Bhosle’s biographer, Raju Bharathan, the eerily prophetic song was never picturized and was removed from the film before filming itself. Bharathan in his book on Bhosle, Asha Bhosle, a Musical Biography, mentions that he drew printed attention to it being a milestone creation marking the parting of ways between Bhosle and Nayyar. Quoting him, ” I know of fans who wept. This, as they rang me up to know if it was really true – if it was true, how by the remotest chance it could be true? Knowledge that OP would no longer compose for his Asha lent a tone and a
tang all its own to the wording: Aap Ne Jo Hai Diya Woh Toh Kisine Na Diya (What you’ve given me, no one could possibly give).
In jest, I would say that it makes sense on on level that the song is not in the film. For Pran Jaye Par Vachan Na Jaye is a typically mediocre dacoit potboiler, one of many done by Sunil Dutt (a big exception is Mujhe Jeene Do (1963)), so having to include a song of this quality must have truly gone against the grain of the film. And it has to be said here that none of the other songs in the film, adequate though they are, come up anywhere near the parameters set up by this song.
Incidentally, Chain Se Humko Kabhi went on to win Asha Bhosle the Filmfare Award for Best Playback Singer (Female) at the 22nd Filmfare Awards held in 1975. Bhosle did not turn up to pick up the award, which was, ironically, received by OP Nayyar. It is even said that he threw away the award from his car post the Awards function and heard it break as it hit the ground.
Listening to the song and seeing how beautifully Bhosle has sung i
t, the biggest loss is that of the filmgoers to see this song filmed on the big screen Still., it never fails to remind us as to what incredible heights Asha Bhosle and OP Nayyar could achieve when both were on sonWHERE IS THE FILM AFTER GETTING FILM FARE AWARD? DESTROYED ?
Header Photo: Rekha and Sunil Dutt in Pran Jaye Par Vachan Na Jaye.
Tracks: 00:46 Ek Tu Hai Piya 05:26 Bikaner Ki Chunri Odhi 10:24 Dekho Raja Dekho 13:24 Aa Ke Dard Jawaan Hai 17:39 Dekho ...
( Right to left Vasant Desai , O P Nayyar and mangeshkar sisters )
{my comment:- O.P. is wooing Asha ,but Meena doesnot look happy at what is happening }
And it must be noted here that Nayyar, who shaped Bhosle into his leading female singer, is the one prominent composer, who did not record even a single song with Mangeshkar!
According to Bhosle’s biographer, Raju Bharathan, the eerily prophetic song was never picturized and was removed from the film before filming itself. Bharathan in his book on Bhosle, Asha Bhosle, a Musical Biography, mentions that he drew printed attention to it being a milestone creation marking the parting of ways between Bhosle and Nayyar. Quoting him, ” I know of fans who wept. This, as they rang me up to know if it was really true – if it was true, how by the remotest chance it could be true? Knowledge that OP would no longer compose for his Asha lent a tone and a
tang all its own to the wording: Aap Ne Jo Hai Diya Woh Toh Kisine Na Diya (What you’ve given me, no one could possibly give).
In jest, I would say that it makes sense on on level that the song is not in the film. For Pran Jaye Par Vachan Na Jaye is a typically mediocre dacoit potboiler, one of many done by Sunil Dutt (a big exception is Mujhe Jeene Do (1963)), so having to include a song of this quality must have truly gone against the grain of the film. And it has to be said here that none of the other songs in the film, adequate though they are, come up anywhere near the parameters set up by this song.
Incidentally, Chain Se Humko Kabhi went on to win Asha Bhosle the Filmfare Award for Best Playback Singer (Female) at the 22nd Filmfare Awards held in 1975. Bhosle did not turn up to pick up the award, which was, ironically, received by OP Nayyar. It is even said that he threw away the award from his car post the Awards function and heard it break as it hit the ground.
Listening to the song and seeing how beautifully Bhosle has sung i
t, the biggest loss is that of the filmgoers to see this song filmed on the big screen Still., it never fails to remind us as to what incredible heights Asha Bhosle and OP Nayyar could achieve when both were on sonWHERE IS THE FILM AFTER GETTING FILM FARE AWARD? DESTROYED ?
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